Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Hi-resolution versions of the albums Pat Metheny recorded for the ECM label are being made available online.
(Photo: Rolf Frison)Guitarist Pat Metheny forged a singular and instantly recognizable sound during his relationship with the ECM label.
Hi-resolution versions of his albums for the label—like American Garage, which featured late keyboardist Lyle Mays, and Bright Size Life—were made available Friday on digital platforms for the first time.
“The main premise in digitizing the Pat Metheny tapes was not to change the sound of the recordings, but to realize them in the original form, in the best possible quality,” ECM mastering engineer Christoph Stickel said in a note to press.
“The work was based on the original, analog stereo master tapes. The masters are in very good condition and can be played without problems,” he continued. “All tapes were played by a Studer A820, which was meticulously calibrated to the respective tape. The analog signal was digitized in 96kHz/24-bit, which covers the complete spectrum of the original bands. In each case, a decision was made between a PrismSound ADA-8XR, an Antelope Eclipse Mastering AD and a Mythek Brooklyn ADC, depending on which one suited the respective recording best. No denoising and no other restoration affecting the sound was carried out.”
The music is slated to be available on Acoustic Sounds (download), Amazon (streaming), Apple Music (download and streaming), HDtracks (download), Prostudiomaster (download), Qobuz (download and streaming) and Tidal (MQA Master streaming). DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
