Mar 4, 2025 1:29 PM
Changing of the Guard at Lincoln Center Jazz Orchestra
On October 23, Ted Nash – having toured the world playing alto, soprano and tenor saxophone, clarinet and bass…
James Cotton (1935–2017)
(Photo: Jason Marck)Blues harmonica master James Cotton died on March 16 of pneumonia at St. David’s Medical Center in Austin, Texas. He was 81. His powerful harmonica playing was one of the iconic sounds of the blues. He toured worldwide for more than 60 years.
James Henry Cotton, known as “Mr. Superharp,” recorded nearly 30 solo albums, winning one Grammy Award, six Living Blues Awards and 10 Blues Music Awards. He was inducted into the Blues Hall Of Fame in 2006. NPR Weekend Edition said, “Conjure up a list of all-time great blues harmonica players, and high up on it you’ll see the name James Cotton.”
Born on a cotton plantation in Tunica, Mississippi, on July 1, 1935, Cotton was a working musician by age 9. He learned harmonica directly from Sonny Boy Williamson II (Rice Miller), toured with Williamson and Howlin’ Wolf, and recorded for Sun Records in 1953 before spending 12 years touring and recording with Muddy Waters (starting at age 20).
Cotton was featured on Waters’ famous 1960 LP At Newport on Chess Records, including the iconic version of “Got My Mojo Working,” one of the all-time classic blues recordings.
After his 1953 Sun sessions, Cotton didn’t record under his own name again until the mid-1960s, with tracks included in the groundbreaking Chicago/The Blues/Today! series of LPs on Vanguard. Along with Otis Spann, he cut The Blues Never Die! for Prestige.
In 1966 he formed The James Cotton Band, quickly earning a reputation as one of the most commanding and potent live blues performers in the world—a man who could literally suck the reeds out of his harmonica from the pure force of his playing.
He made his initial solo albums, three for Verve and one for Vanguard, in the late 1960s. With bands featuring outstanding musicians—including famed guitarists Luther Tucker, Matt “Guitar” Murphy and Hubert Sumlin—he quickly rose to the top of the blues and rock worlds.
It wasn’t long before Cotton, with his gale-force sound and fearless boogie band, was adopted by the burgeoning hippie audience as one of their own. Cotton shared stages with Janis Joplin, The Grateful Dead, Led Zeppelin, B.B. King, Santana, Steve Miller, Freddie King and many others.
Cotton’s remarkable talent and full-throttle energy kept him in demand at concert halls all over the country. He played the Fillmore East in New York, the Fillmore West in San Francisco and every major rock and blues venue in between. During the 1970s, he cut three albums for Buddah and one for Capitol.
He rejoined his old boss Muddy Waters for a series of albums produced by Johnny Winter, starting with Hard Again in 1977. Cotton also guested on recordings by Sumlin, Koko Taylor, Steve Miller, Memphis Slim, and many others. He was joined on his own albums by stars like Winter, Miller, David Sanborn, Charlie Haden, Dr. John, Todd Rundgren, Michael Bloomfield and Cissy Houston.
Cotton signed with Alligator Records in 1984, releasing two solo albums and the famed Harp Attack! collaborative disc with Junior Wells, Carey Bell and Billy Branch. He won a Grammy Award in 1996 for his Verve album Deep In The Blues and recorded four albums for Telarc Records before returning to Alligator in 2010. His most recent recording was 2013’s Grammy-nominated Cotton Mouth Man.
In June 2010, Cotton was honored by New York’s Lincoln Center, where his friends Sumlin, Pinetop Perkins, Taj Mahal, Shemekia Copeland and others paid tribute to him in an all-star concert. The Festival International de Jazz de Montreal honored Cotton with their 2015 B.B. King Award for his seven decades of contributions to the blues.
Cotton is survived by his wife, Jacklyn Hairston Cotton; daughters Teresa Hampton of Seattle, Washington, and Marshall Ann Cotton of Peoria, Illinios; son James Patrick Cotton of Chicago, Illinois; and numerous grandchildren and great-grandchildren.
Funeral arrangements are pending. DB
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
On October 23, Ted Nash – having toured the world playing alto, soprano and tenor saxophone, clarinet and bass…
Larry Appelbaum with Wayne Shorter in 2012.
Feb 25, 2025 10:49 AM
Larry Appelbaum, a distinguished audio engineer, jazz journalist, historian and broadcaster, died Feb. 21, 2025, in…
“This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.
Mar 18, 2025 3:00 PM
In his original liner notes to A Love Supreme, John Coltrane wrote: “Yes, it is true — ‘seek and ye shall…
The Blue Note Jazz Festival New York kicks off May 27 with a James Moody 100th Birthday Celebration at Sony Hall.
Apr 8, 2025 1:23 PM
Blue Note Entertainment Group has unveiled the lineup for the 14th annual Blue Note Jazz Festival New York, featuring…
“You’ve got to trust that inner child, keep exploring, even though people think it’s wrong,” says Fortner.
Feb 25, 2025 11:20 AM
Every week at the Village Vanguard fosters its own sound. No one really knows how the music might evolve by Sunday, but…
