Jun 9, 2026 10:54 AM
In Memoriam: James Blood Ulmer, 1940–2026
With deep sorrow and profound love, we announce the passing of James Blood Ulmer, a boldly innovative guitarist,…
Trombonist John Fedchock leads a quartet, a sextet and the New York Big Band.
(Photo: Christopher Drukker)John Fedchock has forged a distinctive career fueled by enormous talent, hard work and an entrepreneurial spirit.
The trombonist’s latest album, Reminiscence (Summit), represents just one facet of his livelihood. The new disc is a follow-up to 2015’s Fluidity (Summit); both sessions were culled from a live 2013 performance by Fedchock’s quartet with pianist John Toomey, bassist Jimmy Masters and the late drummer Dave Ratajczak.
Fedchock’s 2015 New York Big Band album, Like It Is (MAMA), received a Grammy nomination for his arrangement of “You And The Night And The Music,” adding to an earlier Grammy nod for his arrangement of Joe Henderson’s “Caribbean Fire Dance” from his 2003 album, No Nonsense (Reservoir). A former arranger and music director for the late clarinetist Woody Herman and his renowned big band, Fedchock now views his work on Herman’s two final albums—50th Anniversary Tour and Woody’s Gold Star—as particularly formative.
“I was his chief arranger and musical director from 1980 to ’87, the last seven years of his life,” Fedchock recalled. “After that, my charts for big bands, colleges and music professionals were published. That fueled interest to do clinics at universities, talking to students about arranging, improvisation and the music business or to perform with the university ensembles.”
Reminiscence and Fluidity are stellar examples of Fedchock’s trombone mastery. With a golden tone and powerful delivery, he leads the quartet through standards and originals, delivering a timeless brand of hard-bop that’s free of cliché.
Fedchock’s work ethic has borne fruit in 10 albums as a leader, as well as sideman recording sessions with Gary Smulyan, the Maria Schneider Jazz Orchestra, Kim Pensyl, Linda Eder and others.
“John is such a unique player,” pianist Toomey said. “John’s feel, his sound, his tone and his improvisational ability are extraordinary. Trombone is not an easy instrument to get around on, and he makes it sound stress-free. His tunes flow and make a beautiful statement; the changes make sense and it’s something that audiences can identify with.”
Adding to his busy schedule as a touring artist, Fedchock has designed trombones in collaboration with XO Professional Brass. He described his XO 1632GL-LT model and the new XO 1634 model as being “very lightweight, warm and relaxed sounding.” He added, “When I’m playing lead in my big band, I can really make the horn pop. [These designs have] changed the way people think about how to put a trombone together.”
Fedchock taught trombone as an adjunct professor at Temple University (2010–’12) and SUNY Purchase (2006–’14), during which time he met his future wife, trombonist Jennifer Wharton. Fedchock wrote four arrangements, produced and mixed Wharton’s new album, Bonegasm (Sunnyside), which features the four-trombone front line of Alan Ferber, Nate Mayland, Wharton and Fedchock, accompanied by pianist Michael Eckroth, bassist Evan Gregor and drummer Don Peretz.
“Jennifer has performed in Broadway pits and jazz clubs and concert halls for years,” Fedchock noted. “With Bonegasm, she’s receiving invitations for new work, such as appearing with the Bucknell University Jazz Band as a guest soloist. She’ll be featured at the 2019 International Women’s Brass Conference and the International Trombone Festival this summer.”
For all his trombone prowess and demand as a clinician, Fedchock’s heart remains on the road at the many small local clubs he still calls home.
“I really enjoy playing with different musicians,” Fedchock said. “That’s the original reason I wanted to be involved in music. I’ve been chasing that my whole life, and I don’t expect to ever stop chasing that. It’s a feeling you can’t get anywhere else but onstage, playing.” DB
To the world, James Blood Ulmer was a legend, a visionary and a musical force whose sound was distinctive and unique. To his family, he was their teacher, their storyteller and a source of strength.
Jun 9, 2026 10:54 AM
With deep sorrow and profound love, we announce the passing of James Blood Ulmer, a boldly innovative guitarist,…
Clockwise from top left, Mary Halvorson, Patricia Brennan, Adam O’Farrill, Keith Jarrett’s At the Deer Head Inn: The Complete Recordings, Sheila Jordan and Jaki Byard.
Jul 16, 2026 1:34 PM
The DownBeat Critics Poll never ceases to amaze! And the 74th Edition offered plenty of accolades for poll veterans and…
Ibrahim was an early jazz acolyte, studying the music via 78s he would buy from soldiers stationed in South Africa — who also gave him the nickname “Dollar.”
Jun 30, 2026 3:19 PM
Pianist Abdullah Ibrahim, the NEA Jazz Master from South Africa who helped fuse the folk music of his home country with…
A drummer’s drummer, Rodney Holmes gigged with everyone from Joe Zawinul and Carlos Santana to Steve Kimock and the Brecker Brothers.
Jul 22, 2026 12:37 PM
Drummer Rodney Holmes, a powerful presence behind the kit who emerged as an in-demand player on the New York scene…
“There was something about her tone and sound and phrasing — an intimacy, a vulnerability, an honesty,” says Joshua Redman, who produced Cavassa’s record after she toured with his band.
Jun 16, 2026 1:27 AM
Gabrielle Cavassa is an avowed perfectionist. So when she failed to place despite becoming a finalist in the 2018 Sarah…