Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Pianist Mike Jones and bassist Penn Jillette have released a duo album.
(Photo: Ezekiel Zabrowski)Seventeen years ago, Penn Jillette and his friend Mike Post went out to dinner at The Eiffel Tower—a place that Mike Jones, the house pianist at the time, remembers not very fondly as a “shitty restaurant in Las Vegas.” Today, though, he’s grateful for that gig because that’s where he and the verbal half of the magician duo Penn & Teller first crossed paths and started hanging out together, talking music.
Jillette, who had just begun playing acoustic bass a year or so earlier, called Jones after a few weeks with a proposition. As Jillette remembered it: “I told him, ‘Jonesy, I’d like you to play before Teller and I do our show each night at The Rio. The downside is that I’m gonna play bass with you.’”
Jones recalled: “My response to that was, ‘Why the hell do you need jazz in a magic show? And you’ve only been playing bass for a year, so why get up there in front of 1,400 people and play it every night?’ And [Jillette’s] answer was, ‘Well, I’m not gonna get any better if I don’t do it.’”
To this day, an hour before each show, the duo plays a 45-minute set of standards, followed by a 15-minute solo piano performance as Jillette slips out to morph into his magician identity. The first few weeks were rocky, but thanks to his private lessons with Vegas bass stalwart Morrie Louden, serious woodshedding and hours in action with Jones, Jillette upped his game faster than even he thought he could.
This is clear throughout The Show Before The Show (Capri), their new duo album. Its 10 tracks were cut live at the Penn & Teller Theater within the Rio All-Suites Hotel & Casino. The two generate a driving sense of swing together, if not an overdose of subtlety.
“This is an over-the-top, in-your-face, every-note-I-can-play gig whose whole purpose is to get people excited about seeing a magic show,” Jones explained. “And I absolutely love doing it.”
Consistent with his personality, Jillette plays aggressively, with a big tone and punchy attack. “Jonesy has a very strong prejudice against guys who play soft, with a lot of amplification,” Jillette said. “He would always say, ‘Bass is all about a big man on a big instrument, moving a lot of air.’” DB
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
Mar 2, 2026 9:58 PM
John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
Richie Beirach was particularly renowned for his approach to chromatic harmony, which he used to improvise reharmonizations of originals and standards.
Jan 27, 2026 11:19 AM
Richie Beirach, a pianist and composer who channeled a knowledge of modern classical music into his jazz practice,…
“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
Feb 3, 2026 12:15 AM
Midway through August, a few days after concluding a week at the Village Vanguard with the quartet that Andrew Cyrille…
Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
Feb 3, 2026 12:09 AM
For the better part of a year, rumors have been swirling that Wynton Marsalis was going to step down as artistic and…
