Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
When Maria Schneider (pictured) testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make major changes.
(Photo: Jimmy Katz)When Maria Schneider testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make four major changes:
1) Congress should require streaming services that want protection from copyright infringement lawsuits to effectively educate their users on creators’ rights, including a commonsense set of “checkpoints” at the time of upload. Uploaders should have to sign a statement, under penalty of perjury, verifying ownership, permission or precise grounds of “fair use”—just as copyright owners must do for a takedown.
2) The use of fingerprinting technology (like YouTube’s Content ID) should be required of all streaming services. Fingerprinting for blocking uploads should be offered to all copyright holders, without discrimination.
3) Companies should be required to use and share the best technologies available to prevent infringement.
4) “Take down” should mean “stay down,” so that musicians are not stuck in an endless game of “whack-a-mole.”
Schneider and other songwriters founded MusicAnswers.org to educate and mobilize musicians as well as consumers. “Every musician and fan should sign onto our campaign,” Schneider said. “Go to MusicAnswers.org, get educated and sign our Declaration of Principles. Google and other large corporations heavily lobby Congress. But we have our numbers and our stories. We need everyone on board, so we can become a massive force to be reckoned with.
“The music-buying public needs to understand which music sites to patronize and which to avoid. We care so much about the sourcing of our food and our clothing. We want music fans to be just as careful about the sourcing of their music.” DB
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
“These days, with curated news, where people only get half the story, people can’t even speak to family members anymore,” Schneider laments.
Mar 10, 2026 1:43 PM
Maria Schneider is doing her part to try to fix what ails America. Which got her thinking about crows, specifically,…
Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
Mar 30, 2026 10:20 PM
Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
Apr 7, 2026 1:21 PM
There’s pluralism, then there’s PLURALISM! — and then there’s Big Ears. Thurston Moore, who participated in…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
