Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
When Maria Schneider (pictured) testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make major changes.
(Photo: Jimmy Katz)When Maria Schneider testified before Congress about the current U.S. copyright law’s (DMCA) notice and takedown provisions, she urged legislators to make four major changes:
1) Congress should require streaming services that want protection from copyright infringement lawsuits to effectively educate their users on creators’ rights, including a commonsense set of “checkpoints” at the time of upload. Uploaders should have to sign a statement, under penalty of perjury, verifying ownership, permission or precise grounds of “fair use”—just as copyright owners must do for a takedown.
2) The use of fingerprinting technology (like YouTube’s Content ID) should be required of all streaming services. Fingerprinting for blocking uploads should be offered to all copyright holders, without discrimination.
3) Companies should be required to use and share the best technologies available to prevent infringement.
4) “Take down” should mean “stay down,” so that musicians are not stuck in an endless game of “whack-a-mole.”
Schneider and other songwriters founded MusicAnswers.org to educate and mobilize musicians as well as consumers. “Every musician and fan should sign onto our campaign,” Schneider said. “Go to MusicAnswers.org, get educated and sign our Declaration of Principles. Google and other large corporations heavily lobby Congress. But we have our numbers and our stories. We need everyone on board, so we can become a massive force to be reckoned with.
“The music-buying public needs to understand which music sites to patronize and which to avoid. We care so much about the sourcing of our food and our clothing. We want music fans to be just as careful about the sourcing of their music.” DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
