Aug 30, 2022 11:45 AM
Joey DeFrancesco, Who Helped Revitalize the Hammond B-3 Organ, Dies at 51
The music world is mourning the unexpected passing of Joey DeFrancesco, who died Aug. 25 from a massive heart attack,…
Maria Schneider’s new release is a double album titled Data Lords.
(Photo: Briene Lermitte)As one of the top composer-arrangers on New York’s big band jazz scene, Maria Schneider has covered a vast swath of musical territory since her namesake orchestra began recruiting ace instrumentalists and captivating listeners in the early 1990s. Over a series of acclaimed recordings starting with her 1994 breakout album, Evanescence (Enja), Schneider’s writing style has evolved through multiple phases, incorporating the transparent tonal colors of Gil Evans’ large ensemble works, exploring folkloric flamenco rhythms, applying orchestral concepts to the big-band palette and embracing the wide-ranging pastoral beauty of Americana.
Schneider’s recent creative output has taken a more divergent approach—one that’s rooted in her ongoing struggles to deal with the dichotomies of modern living. As she finds herself ping-ponging between the polar extremes of today’s device-obsessed “digital world” and the simpler “natural world” she grew up with in rural Minnesota, she has fought to reclaim a sense of personal space where she can hear herself think and still connect with people in meaningful ways. She misses the deepness of times past.
Schneider also has emerged as an outspoken musicians’ advocate by calling out corporations such Google and YouTube—and other entities she refers to as “data lords”—for policies that she feels have been unfair to composers and creators of various kinds.
When DownBeat checked in with Schneider on the occasion of her Grammy-winning recording The Thompson Fields (ArtistShare) topping the Jazz Album category of the 2016 Readers Poll, she had recently completed a piece commissioned by the Library of Congress Da Capo Fund titled “Data Lords.” Now, a studio recording of that composition and a series of more recent conceptual pieces that grew out of her frustration with big data have been released as Data Lords, an elaborately packaged double album that explores the conflicting relationships between the digital and natural worlds.
DeFrancesco recorded his first album and toured Europe as a member of Miles Davis’ band at age 17.
Aug 30, 2022 11:45 AM
The music world is mourning the unexpected passing of Joey DeFrancesco, who died Aug. 25 from a massive heart attack,…
“My dad saw Hendrix open for the Monkees here in Jacksonville, and he told me it was the first time he had ever dropped acid. Pretty intense,” Trucks said,
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It is hard to fathom the depth of loss that Derek Trucks must have felt in 2017. First, his uncle Butch Trucks, a…
Gazarek is glad just to be able to have the chance to perform jazz to a wider audience from this planet, in this time.
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Of all the things Sara Gazarek imagined, hoped or dreamed she would ever do in her life, singing on a stage as an alien…
Three-time Grammy winner Lewis had tremendous success at crossing over from the jazz charts to the pop charts.
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The Marvels, from left: Bill Frisell, Eric Harland, Charles Lloyd, Reuben Rogers and Greg Leisz.
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Leading a secluded life in the expansive hill country above Montecito, California, Charles Lloyd has plenty of time and…
