Music Documentary ‘Up From The Streets’ To Stream Thursday

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On Saturday, trumpeter Terence Blanchard and director Michael Murphy are set for an online chat around Up From the Streets: New Orleans: City of Music.

(Photo: Eagle Rock Entertainment)

Up From the Streets: New Orleans: City of Music, a documentary that explores the inexorable link between the Big Easy and definitive musical exhortations, likely won’t be in proper theaters any time soon. So, a raft of streaming opportunities are being presented beginning Thursday.

Dozens of theaters across the country will be hosting the streams online for $12, and a portion of the proceeds will be donated to The New Orleans Jazz & Heritage Foundation’s Jazz & Heritage Music Relief Fund.

In the film, the influence of performers like Louis Armstrong, Fats Domino, Allen Toussaint and Dr. John are interspersed with commentary from luminaries like Branford and Wynton Marsalis, Harry Connick Jr. and Dr. Michael White. Robert Plant, Keith Richards, Bonnie Raitt and Sting also crop up.

On Saturday, trumpeter Terence Blanchard and the film’s director, Michael Murphy, are set for an online chat, and additional online screenings are planned for Monday.

For some other jazz film recommendations, take a look at the round-ups DownBeat previously has compiled: Vol. 1, Vol. 2, Vol. 3. DB



  • Quincy_Jones_by_artstreiber.com1.jpg

    Quincy Jones’ gifts transcended jazz, but jazz was his first love.

  • Roy_Haynes_by_Michael_Jackson_2012.jpg

    “I treat every day like it’s Thanksgiving,” said Roy Haynes.

  • John_McLaughlin_by_Mark_Sheldon.jpg

    John McLaughlin likened his love for the guitar to the emotion he expressed 71 years ago upon receiving his first one. “It’s the same to this day,” he said.

  • Lou_Donaldson_by_Michael_Jackson_2015.jpg

    Lou Donaldson was one of the originators of the hard bop movement in jazz back in the 1950s.

  • Zakir_Hussain_2011_Symphony_Center_copy.jpg

    “Watching people like Max Roach or Elvin Jones and seeing how they utilize the whole drum kit in a very rhythmic and melodic way and how they stretched time — that was a huge inspiration to me,” Hussain said in DownBeat.


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