Nonesuch To Re-Release Explorer Series

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Nonesuch Records is launching the complete re-release of its landmark Explorer Series. The original series—issued on vinyl between 1967 and 1984—was a turning point for what later became known as “world music.” For the first time, ethnomusicologists and producers were able to go into the field and return with high quality recordings.

While a few of these recordings were reissued on compact disc over the years, this is the first time the entire series—92 recordings that have inspired generations of adventurous listeners—will be released on CD. Nonesuch will be issuing the CDs grouped by global region. The revival of the series begins on Aug. 27, with the release of 13 volumes of African music including the popular Drum, Chant and Instrumental Music, Witchcraft and Ritual Music, three mbira (thumb piano) recordings from the Shona people of Zimbabwe, and Hamza El Din’s The Water Wheel.

January 2003 will see the release of ten titles from Indonesia and the South Pacific including Music from the Morning of the World, which was one of the first commercial releases of gamelan music. Subsequent releases over the next three years will group titles from Tibet/Kashmir, Latin America/Caribbean, East Asia, Central Asia, Europe, and India.

August’s 13 African releases were originally issued between 1969 and 1983. The music comes from Ghana, Nubia, Zimbabwe, Burundi, Burkina Faso, Niger, Mali, Uganda, Zaire, Kenya, and Tanzania. Western audiences heard many African instruments for the first time: the marimba of Tanzania and the dzil or Ghanian calabash-xylophone; Zimbabwe’s mbira and Burundi’s sanza, both thumb pianos; the talking drums of Niger and Burkina Faso, whose pitch is shifted through changing the tension of the drums’ membranes; and dozens of other flutes, fiddles, horns, drums, musical bows, zithers, and lutes from across the continent. Animals of Africa: Sounds of the Jungle, Plain, and Bush broke new ground by presenting the sounds made by a dozen African mammals.

The series reissue sees these legendary titles remastered and repackaged, including newly designed O-card covers and the inclusion of original liner notes.



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    Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.

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    “He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.

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    ​Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.

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    “Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”

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    Henry Threadgill performs with Zooid at Big Ears in Knoxville, Tennessee.


On Sale Now
May 2024
Stefon Harris
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