Jul 9, 2024 11:35 AM
Trumpeter, Educator Jim Rotondi Dies at 61
Jim Rotondi, a renowned hard-bop trumpeter, composer and educator, died suddenly on July 7 at a hospital in France. He…
On his new album, In The Moment, organist Pat Bianchi collaborates with numerous jazz heavyweights, including guitarist Pat Martino and vibraphonist Joe Locke.
(Photo: Jack Vartoogian/Front Row Photos)At age 16, Pat Bianchi received a prized Christmas present: organist Joey DeFrancesco’s 1993 album Live At The Five Spot. He was so taken with the music that, after one listen, he saw his future mapped out before him.
A quarter-century later, Bianchi has achieved that goal—emulating DeFrancesco, now a mentor and colleague, even as he carves out a spot for himself among jazz’s elite organists.
The latest evidence is In The Moment (Savant), a 10-track collection that shows the range of Bianchi’s impressive capabilities.
“He’s got soulfulness, swing and an ability to adapt to what’s going on with fluency,” said Byron Landham, who played drums on both Bianchi’s new album and DeFrancesco’s Live At The Five Spot.
Those qualities come through clearly as Bianchi teams with three guitarists on his latest recording. He interacts closely with Peter Bernstein on a seven-minute rendition of “Blue Gardenia,” establishing a flow that never wavers. The flow similarly is apparent on the Bianchi original “Mr. PM,” though the organist, by his own account, is more intent on building a structure on which the venerable guitarist Pat Martino—with whom he has a seven-year association as both sideman and tour manager—can deliver his lean, clean lines with characteristic precision.
The four tracks with guitarist Paul Bollenback, who also was on Live At The Five Spot, find Bianchi in full creative flight as he rips through a warp-speed rendition of Willie Nelson’s “Crazy” and dips in and out of a modal swim for Bollenback’s slightly trippy take on Miles Davis and Gil Evans’ “Barracudas (General Assembly).”
Bianchi dives into digitization on Billy Eckstine’s elegant “I Want To Talk About You,” creating a synthesized string quartet to back the vocals of Kevin Mahogany (1958–2017). Blended with Bianchi’s organ fills and Landham’s brushwork—both models of restraint—the “strings” provide a lush bed for Mahogany’s resonant baritone.
The sonic variants don’t end there. Bianchi joins with drummer Carmen Intorre Jr., with whom he has a long relationship, and vibraphonist Joe Locke, with whom he had never previously played, on three jazz standards: Chick Corea’s “Humpty Dumpty,” Thelonious Monk’s “Four In One” and Wayne Shorter’s “Fall.”
Loose and sonorous, the trio’s interpretation of “Fall”—which harks back to Davis’ 1968 album Nefertiti—offers a window into regions Bianchi might continue to explore.
Winner of the Rising Star–Organ category in DownBeat’s 2016 Critics Poll, Bianchi has spent long hours alone at the organ developing his command of the instrument.
Nowadays, he has a well-earned reputation as a bandleader and educator. Bianchi teaches jazz organ at Temple University’s Boyer College of Music and Dance. Earlier in his career, he performed with DeFrancesco, saxophonist Lou Donaldson and guitarist Chuck Loeb.
Bianchi has taken detours in the past—notably in 2011, when he turned left into the world of organist Larry Young (1940–’78), who in 1966 won the DownBeat Critics Poll award equivalent to the one Bianchi won 50 years later. The vehicle was drummer Ralph Peterson’s Unity Project, which tackled such riotous compositions as John McLaughlin’s “Spectrum.” Young had played the piece in the power-trio version of Tony Williams’ Lifetime, with McLaughlin on guitar. That project provided a platform for some of Bianchi’s most virtuosic turns.
The bandleader’s deep knowledge of jazz-organ history continues to inform his own voice as a composer and accompanist. And while he’s a proponent of the classic jazz organ trio sound, he’s not confined by it.
“My go-to in the beginning was Joey, then I went back to [Jimmy] Smith,” Bianchi recalled. “I love [Jimmy] McGriff. I checked out Young’s harmonic concept, but I didn’t get the same feeling.” DB
Jim Rotondi was acclaimed for his wide, round trumpet tone, remarkable virtuosity and assured swing.
Jul 9, 2024 11:35 AM
Jim Rotondi, a renowned hard-bop trumpeter, composer and educator, died suddenly on July 7 at a hospital in France. He…
Charles Lloyd, seen here at the 2024 New Orleans Jazz & Heritage Festival, makes DownBeat Poll history!
Jul 11, 2024 12:23 PM
The incomparable Charles Lloyd swept the 72nd Annual DownBeat Critics Poll, becoming the first artist ever to earn…
“Being president of Blue Note has been one of the coolest things that ever happened to me,” Was said. “It’s a gas to serve as one of the caretakers of that legacy.”
Jun 4, 2024 12:21 PM
Sitting with Don Was is a comfortable and unhurried exercise. He may seem slightly reserved at first, but ideas and…
“She reminds me of my childhood and makes we want to cry,” Cécile McLorin Salvant, pictured here with writer Ashley Kahn, said of Dianne Reeves.
Jun 11, 2024 12:31 PM
Italy’s Umbria Jazz Winter is one of those rare annual festivals that not only coincides with a major holiday —…
Maria Schneider said of Decades, her new compilation release: “I just wanted to create something, put it in a beautiful box and say, ‘Look at what we did.‘”
Jun 18, 2024 12:00 PM
Maria Schneider opened the sleek black box and placed it on a coffee table in her Manhattan apartment. Inside lay the…
