Premiere: Chris Lightcap’s ‘Through Birds, Through Fire,’ a Tune Off the Upcoming ‘SuperBigmouth’

  I  
Image

Bassist Chris Lightcap (third from right) merges his two working ensembles for SuperBigmouth, which is set for release Oct. 4 on Pyroclastic Records.

(Photo: Bradley Scott Rosen)

Chris Lightcap’s compositional and performative dexterity stretches back to the ’90s, when he began working with some of New York’s best-known avant-gardists. A few folks who were gigging and recording with the bassist back then again congregate for SuperBigmough, a composite picture of the bandleader’s two regular ensembles that’s set for release Oct. 4 through Kris Davis’ Pyroclastic Records.

Splicing together Suprette—a group that last year issued a self-titled disc via The Royal Potato Family imprint—and Bigmouth, Lightcap’s sussed out the best of what electrified acts have to offer, as guitarists Curtis Hasselbring and Jonathan Goldberger trim the proceedings with some undeniably rockist intentions. That saxophonist Tony Malaby and drummer Gerald Cleaver are along for the session only hints at the level of musicianship captured here.

But for “Through Birds, Through Fire”—a tune named after a 1943 Yves Tanguy oil painting which debuts below—Lightcap’s nothing short of effusive over the contributions from another ensemble member.

“The opening section is made up of a bunch of different melodic fragments that eventually come together and serve as a springboard into Craig Taborn’s solo,” the bandleader began while explaining “Through Birds.” “[H]e takes one of the most compelling Hammond B3 organ solos I’ve ever heard, and throughout it you can feel how his playing drives and inspires the rest of us.”

For additional info about the album, visit the Pyroclastic website. DB



  • John_Hammond_courtesy_johnhammond.com.jpg

    Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.

  • Flea_by_Gus_Van_Sant_copy.jpg

    “Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”

  • Lettuce_by_Sam_Silkworth_2026_copy.jpg

    Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall

  • New_Orleans_Trad_Jazz_Camp_Courtesy_New_Orleans_Trad_Jazz_Camp.jpg

    New Orleans Trad Jazz Camp

  • Big_Band_Screen_Shot.jpg

    Lovers of the big band experience, clockwise from top left, John Clayton, Leigh Pilzer, Ted Nash, David Pietro and Christine Jensen.


On Sale Now
April 2026
Flea
Look Inside
Subscribe
Print | Digital | iPad