Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Siblings Samora (left) and Elena Pinderhughes collaborated on The Transformations Suite, which was released on Oct. 16.
(Photo: Courtesy of the artists)Earlier you mentioned that it was very important to not imitate something that’s already been done. How did you walk that fine line when making the Suite?
Samora: First of all, I’ve never been shy about my influences. Anybody who says that they don’t have influences is lying [laughs]. Those are the people I lean on. I’m not an especially super-duper confident, off-the-top person. I use my influences, my heroes, as pillars to lean on when I’m unsure about whether something works or not.
Elena: For some artists, a big thing is, ‘What is your voice?’ Samora has his own. Compositionally, I’ve really seen that a lot because he helps me write a lot as well and there’s a certain sound there.
As you start writing and a suite comes together—because there’s so many [different] components, so many parts, you find that your voice is there—individually in each part, but also as a complete whole.
For some reason, there was no danger of it sounding like something else. It just never did, not even from the first iteration. It it always sounded like Samora.
We’ve talked about the history of jazz and how it was once a political voice for the disenfranchised. And then suddenly, it was silenced. Was there a moment for you guys in which you both decided that silence on these issues was simply not an option?
Samora: I’ve kind of always been on that tip. On Halloween I used to dress as Che Guevara, and Elena used to have the little Tupac bandana … she was tryin’ to rock that for a minute [laughs].
I’ve always been thinking about those issues. And being biracial, that is also its own kind of complicated thing. It’s important for me and essential for me to speak out. Elena has been very influential for me in terms of her insistence on speaking to her generation. She’s like, ‘I want to speak to all people, but the most important audience, for me, is my age and younger.’ Those are the people who are influencing the world.
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
Apr 7, 2026 1:21 PM
There’s pluralism, then there’s PLURALISM! — and then there’s Big Ears. Thurston Moore, who participated in…
Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
Mar 30, 2026 10:20 PM
Every April for the past quarter century, something remarkable has happened across the United States and far beyond.…
“We thought it’s important that Ronin has a new statement,” said Nik Bärtsch of his band’s latest album, Spin. “The sound is differently produced, so it reflects more of who we are.”
Apr 21, 2026 10:00 AM
Nik Bärtsch cuts an imposing figure on stage. He’s unmistakable with his soul patch, shaven head and black attire.…
Bollani demonstrates at the piano during a live Blindfold Test in Umbria, Italy, while writer Ashley Kahn, right, and translator Greg Burk look on.
Mar 24, 2026 11:42 AM
Raconteur, bon vivant and popular television host Stefano Bollani is also one of Italy’s best-known pianists, a rare…
