Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Shirley Horn, whose her whisper-soft delivery, clear phrasing and spare, in the-pocket piano playing, made here one of the most enjoyable and distinctive artists in jazz, died Thursday night in her hometown of Washington, D.C., after a long battle with diabetes. She was 71.
Horn’s career read like a Hollywood movie: A young musical genius is discovered by a jazz legend, but postpones major stardom to raise a family, only to emerge in her mature years as a superstar on he own terms.
Born in Washington, D.C., in May 1934, from the age of 4 her early piano training consisted of the European classics and she also digested the pianisms and vocal phrasing of Nat “King” Cole. She was accepted to Juilliard, but lacked the funds to attend and later studied at Howard University.
She led one of her first combos in 1954, and a few years later Miles Davis heard her and brought her to New York’s Village Vanguard to rave reviews. She subsequently released a number of albums on the ABC-Paramount and Mercury labels including Travelin’ Light and Horn With Horns, which was produced by Quincy Jones. Citing the wish to raise her daughter properly, Horn retreated from a heavy music career, opting to play gigs close to home and record primarily for the European-based Steeplechase label.
In 1987, she rejuvenated her career by signing with Verve records and released the live date I Thought About You. Her other standout recordings for the label include: You Won’t Forget Me, an all-star date featuring Wynton and Branford Marsalis and Miles Davis in one of his last sessions; and the Johnny Mandel-orchestrated classic Here’s To Life.
Ron Goldstein, President & CEO of the Verve Music Group, said, “Shirley Horn was a true innovator. She created a unique style of playing and singing that was not only original, but so penetrating and so much her own that few dared try to copy it.”
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
“If you don’t keep learning, your mind slows down,” Coleman says. “Use it or lose it.”
Jan 28, 2025 11:38 AM
PolyTropos/Of Many Turns — the title for Steve Coleman’s latest recording on Pi and his 33rd album overall —…