Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
The New Orleans Jazz and Heritage Festival kicked off slowly yesterday under brilliant, sunny skies. With bands like Wilco, the Black Crows and Steve Winwood on the roster, pickings were on the slim side in the jazz and traditional tents. This year, programmers also decided not to feature music from one particular country, leaving the Congo Square stage a bit hit-or-miss as well. Still, C.C. Adcock, blues harmonica giant, Charlie Musselwhite and Henry Hippolyte’s performances made it a strong day for blues, which climaxed at Sonny Landreth’s slide guitar set at the Sprint stage.
Later at the Economy Hall tent, clarinetist, Tim Laughlin had second liners dancing in the aisles as he played tunes from his latest release, ‘The Isle of Orleans’ (Gentilly Records).
One of the most interesting developments at the Fairgrounds this year is the new Jazz and Heritage Stage, which drew a small but devoted crowd for the Stooges Music Group yesterday and is sure to heat up today with Donald Harrison’s New Sounds of Mardi Gras. Featuring brass bands like the Golden Star Hunters and the more traditional Olympia Brass Band, the new stage brought out a segment of the New Orleans music scene that doesn’t usually get much representation at the Fairgrounds.
After the official Fest ended yesterday, music continued around town with late-night lineups at spots like Tipitina’s, which rang in Jazz Fest Thursday night with a Galactic show. This year, Tip’s is getting some competition from a new series at Preservation Hall, perhaps the most noteworthy unofficial Jazz Fest development.
Last night, Stanton Moore hooked up with Robert Walter on organ, Skerik on alto sax and a series of room-stopping solos from Mark Mullins, one of the most virtuosic trombone players in town. The series continues through Sunday night with different guests.
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
Jan 21, 2025 7:38 PM
Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
“If you don’t keep learning, your mind slows down,” Coleman says. “Use it or lose it.”
Jan 28, 2025 11:38 AM
PolyTropos/Of Many Turns — the title for Steve Coleman’s latest recording on Pi and his 33rd album overall —…
