Apr 8, 2025 1:23 PM
Blue Note Jazz Festival New York Posts 2025 Lineup
Blue Note Entertainment Group has unveiled the lineup for the 14th annual Blue Note Jazz Festival New York, featuring…
Tomeka Reid (right) is among the 25 artists DownBeat thinks will help shape jazz in the decades to come.
(Photo: Jasmine Kwong/Cuneiform)Cellist Tomeka Reid remembers when she started telling people about her quartet. Not everyone was encouraging about its atypical lineup. She was taken aback at the time, but laughs about it now.
Like its self-titled predecessor, the lively compositions on the second album from her group, 2019’s Old New (Cuneiform), allow guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara to explore dissonance and feedback while also swinging relentlessly.
“We’re just an even better team than before,” Reid said. “I was able to write with them more in mind for this record. While the first time I had all the tunes written, this time I was thinking about many different sounds for them.”
Until the pandemic hit, Reid had a full slate for 2020, including recording plans, which have been tabled for now. But she’s had to move her spate of Mills College classes online.
“A lot of times in programs, you study people who you can’t really access,” Reid said. “It was exciting for me to be an access point for students. I taught a composition seminar, and when they have questions about the score, we could call the composers up.”
Along with her commitment to teaching and long-term collaborations, Reid sought new ventures just before the pandemic. This spring, she released a duo album with British pianist Alexander Hawkins, Shards And Constellations (Intakt). Their conversation builds on a compatible sense of tension that flows into quiet lyricism on their interpretation of Muhal Richard Abrams’ “Peace On You.”
“I’m always looking for situations to challenge myself and just playing duo in that way is very exposed,” Reid said. “Being so exposed, what would my role be? How are we going to interact? How are we going to make a whole album interesting—is it going to be freely improvised, different sounds, or do anything harmonically based? That’s always the challenge.”
Reid’s explorations, especially during the past few years, have involved complementary string instruments. She traveled to Ethiopia in 2018 and 2019 where she learned about the masenqo, a single-stringed lute that typically reflects different rhythms based on region. Reid also doubled on banjo for Nicole Mitchell’s Mandorla Awakening II: Emerging Worlds.
Still, Reid remains an outspoken cello advocate. Winner of the Miscellaneous Instrument category in the DownBeat Critics Poll for 2019 and 2020, she contends that the cello deserves its own category.
“Every band needs a cello player,” Reid said. “It gives a different nuance to low-end than just the bass—it increases the richness of the environment to have that other strong voice that can go into the mid-range, the high-range, go low. It can cover so much ground, and people are discovering it more. There are also more musicians interested in improvising. They may not have all the language together, but if you don’t mind investing the time, you can really have something different.” DB
This story originally was published in the November 2020 issue of DownBeat. Subscribe here.
The Blue Note Jazz Festival New York kicks off May 27 with a James Moody 100th Birthday Celebration at Sony Hall.
Apr 8, 2025 1:23 PM
Blue Note Entertainment Group has unveiled the lineup for the 14th annual Blue Note Jazz Festival New York, featuring…
“I’m certainly influenced by Geri Allen,” said Iverson, during a live Blindfold Test at the 31st Umbria Jazz Winter festival.
Apr 15, 2025 11:44 AM
Between last Christmas and New Year’s Eve, Ethan Iverson performed as part of the 31st Umbria Jazz Winter festival in…
“At the end of the day, once you’ve run out of differences, we’re left with similarities,” Collier says. “Cultural differences are mitigated through 12 notes.”
Apr 15, 2025 11:55 AM
DownBeat has a long association with the Midwest Clinic International Band and Orchestra Conference, the premiere…
“It kind of slows down, but it’s still kind of productive in a way, because you have something that you can be inspired by,” Andy Bey said on a 2019 episode of NPR Jazz Night in America, when he was 80. “The music is always inspiring.”
Apr 29, 2025 11:53 AM
Singer Andy Bey, who illuminated the jazz scene for five decades with a four-octave range that encompassed a bellowing…
Foster was truly a drummer to the stars, including Miles Davis, Sonny Rollins and Joe Henderson.
Jun 3, 2025 11:25 AM
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
