Feb 3, 2025 10:49 PM
The Essence of Emily
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
Donald Byrd
(Photo: )Seminal trumpeter Donald Byrd, who was known for his collaborations with top artists, innovative style and lifelong commitment to jazz education, died on Feb. 4 in Delaware from unknown causes. He was 80.
From his legacy as a proponent of hard-bop to his segue into jazz fusion and hip-hop, Byrd was highly regarded for his ability to transcend genres, which earned him the respect of artists from all musical circles.
Born Donaldson Toussaint L’Ouverture Byrd II in 1932, Byrd was the son of a Methodist minister and musician. The product of Detroit’s celebrated music-education system, he was already an accomplished trumpeter by the time he graduated from Cass Technical High School. He earned his bachelor’s degree from Wayne State University in Detroit and his master’s from the prestigious Manhattan School of Music, and also went on to study music with famed educator Nadia Boulanger in Paris in 1963.
Byrd played with the U.S. Air Force Band from 1951–1952 and relocated to New York in 1955, where he performed with the George Wallington Group at Café Bohemia. His career took off when he joined Art Blakey’s Jazz Messengers in 1955 as the replacement for trumpeter Clifford Brown, whom he greatly admired. He went on to collaborate with Max Roach, John Coltrane, Sonny Rollins and Red Garland before forming a band with baritone saxophonist Pepper Adams and leading sessions under the Savoy label.
In 1958, Byrd signed an exclusive recording contract with the Blue Note label and released his debut album with Adams, Off To The Races, in 1959. He formed his own touring quintet in the early 1960s began to evolve his hard-bop style, utilizing influences from r&b and gospel music. His 1969 Blue Note release Fancy Free exemplified this transition into more commercial jazz-fusion and funk styles. Though Byrd’s eventual deviation from the mainstream was panned by some critics, his 1973 album Black Byrd, which he recorded under brother producers Larry and Alphonso “Fonce” Mizell, became one of the best-selling Blue Note albums of all time.
Around the same time, Byrd became a pioneer in jazz education, instructing at New York’s Music & Art High School and holding clinics and private lessons at National Stage Band Camps. The trumpeter held teaching appointments at universities around the country, including Rutgers University, where he was the first person to teach jazz. He also taught at Hampton University, North Carolina Central University, North Texas State University, Delaware State University, William Paterson University and Howard University, where he founded the jazz department and was named chairman of the black music department. While at Howard, he formed a band with students called The Blackbyrds, which enjoyed chart-topping success with songs such as “Street Lady” and “Places And Spaces” in the mid-1970s. In 1982, Byrd received his honorary doctorate from New York Teachers’ College at Columbia University.
Byrd’s influence extended into the realm of contemporary hip-hop, and many of his Blue Note recordings became fodder for sampling on more than 100 tracks from artists such as A Tribe Called Quest, Public Enemy and Nas. He also performed on late hip-hop artist Guru’s 1993 album Jazzmatazz Vol. 1, a fusion of jazz and hip-hop performed by a vast personnel of respected artists from both genres.
In 2000, the National Endowment for the Arts recognized Byrd as an NEA Jazz Master.
Byrd’s death was kept confidential and was thought to be an Internet hoax until his nephew, jazz keyboardist Alex Bugnon, released a series of Facebook posts and emails announcing his passing.
“I have no more patience for this unnecessary shroud of secrecy placed over [Byrd’s] death by certain members of his immediate family,” Bugnon wrote on his Facebook page last Wednesday afternoon.
To read a classic interview of Donald Byrd from the DownBeat archives (“Donald Byrd Today,” Jan. 27, 1966), click here.
—Hilary Brown
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
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In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
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