“One day, it just hit me — I wanted to record an album,” said clarinetist Harry Skoler, 18 months after a medical emergency sidetracked his music career.

Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.

“When we get together to play, to improvise, we’re just trying to make something fresh and all those influences and experiences that everybody has just comes out in a natural way,” says Jeff Parker of his ETA IVtet, from left, Josh Johnson, Jay Bellrose, Ana Butterss and Parker.

“I tried to make a CD that I would like to listen to myself, so that there would be no walls between me and the listener,” Clara Haberkamp says of Love Maps.

“The love from the jazz and music community restored my faith in humanity,” Walia wrote in an online post upon his release from detention at an ICE facility.

​Oliver Jones’ debut album, Live At Biddle’s Jazz & Ribs, was recorded in 1983, the first release on the Montreal-based label Justin Time.

This year’s Reykjavík Jazz Festival ​runs Aug. 25–30 in Iceland’s Capital Region.

​Percussionist Poncho Sanchez was among the artists scheduled to perform at the now-canceled inaugural LA Jazz Festival.

In 1993 Bryson signed to the Telarc Jazz label, which released her first album, I Love Being Here With You.

Inspired by the sonic world of Bitches Brew, Dad Grass developed a flavor profile intended to feel lush, layered and slightly psychedelic.