Jun 17, 2025 11:12 AM
Kandace Springs Sings Billie Holiday
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
Gary Bartz collaborated with the UK-based ensemble Maisha for Gary Bartz & Maisha—Night Dreamer Direct-To-Disc Sessions.
(Photo: Elaine Groenestein)With or without lyrics, the conversation had to happen.
“Some of the musicians didn’t understand, so they felt uncomfortable, especially when I say, ‘I won’t raise you and your children no more.’ Coming from England, they didn’t know I was talking about the mammies that would suckle the so-called white babies, when the mammies had their own kids to suckle.”
That conversation led to a larger discussion on intention. The inclusion of “Uhuru Sasa” on Night Dreamer begged the question: How might a shift in context affect the music’s message?
“We thought, majority white musicians from the UK playing that song in the time that we’re playing it maybe doesn’t make sense,” said Long. “But Gary felt that [the] song can transcend.”
During their discussions, Bartz shared a memory from years ago when he was performing in Germany. He received a pointed declaration from a number of listeners citing dissatisfaction with his NTU Troop repertoire, because they didn’t really understand it.
“I said, ‘Well that’s OK. I understand if you didn’t really like it,’” said Bartz. “‘I wasn’t really writing that music for you. I was writing it for my community, my people.’”
Three days at Artone studio in the Netherlands yielded five tracks teeming with texture, lyrical storytelling and a pervasive heartbeat—at once refined and raw. And while Bartz and Maisha credit the album’s organic nature with deep listening and a sensitive understanding of each other’s tendencies, they’re looking forward to further developing a sound of their own.
Long hopes Night Dreamer will serve to whet the listener’s appetite for what’s to come.
“The reason I’m so excited to get back on tour is to build up that band relationship [with Gary] and develop a really strong concept,” Long said, “as opposed to a moment in time captured in performance.” DB
“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
Jun 17, 2025 11:12 AM
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
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