Gary Bartz And Maisha Spark An Intergenerational Conversation

  I  
Image

Gary Bartz collaborated with the UK-based ensemble Maisha for Gary Bartz & Maisha—Night Dreamer Direct-To-Disc Sessions.

(Photo: Elaine Groenestein)

With or without lyrics, the conversation had to happen.

“Some of the musicians didn’t understand, so they felt uncomfortable, especially when I say, ‘I won’t raise you and your children no more.’ Coming from England, they didn’t know I was talking about the mammies that would suckle the so-called white babies, when the mammies had their own kids to suckle.”

That conversation led to a larger discussion on intention. The inclusion of “Uhuru Sasa” on Night Dreamer begged the question: How might a shift in context affect the music’s message?

“We thought, majority white musicians from the UK playing that song in the time that we’re playing it maybe doesn’t make sense,” said Long. “But Gary felt that [the] song can transcend.”

During their discussions, Bartz shared a memory from years ago when he was performing in Germany. He received a pointed declaration from a number of listeners citing dissatisfaction with his NTU Troop repertoire, because they didn’t really understand it.

“I said, ‘Well that’s OK. I understand if you didn’t really like it,’” said Bartz. “‘I wasn’t really writing that music for you. I was writing it for my community, my people.’”

Three days at Artone studio in the Netherlands yielded five tracks teeming with texture, lyrical storytelling and a pervasive heartbeat—at once refined and raw. And while Bartz and Maisha credit the album’s organic nature with deep listening and a sensitive understanding of each other’s tendencies, they’re looking forward to further developing a sound of their own.

Long hopes Night Dreamer will serve to whet the listener’s appetite for what’s to come.

“The reason I’m so excited to get back on tour is to build up that band relationship [with Gary] and develop a really strong concept,” Long said, “as opposed to a moment in time captured in performance.” DB

Page 2 of 2   < 1 2


  • Don_and_Maureen_Sickler_by_Richard_Halterman_copy_2.jpg

    Don and Maureen Sickler serve as the keepers of engineer Rudy Van Gelder’s flame at Van Gelder Studio, perhaps the most famous recording studio in jazz history.

  • Trio_aRT_courtesy_Trio_aRT_copy_3.jpg

    Trio aRT with its avalanche of instrumentation: from left, Pheeroan akLaff, Scott Robinson and Julian Thayer.

  • Jack_DeJohnette_by_Steve_Sussman.jpg

    ​Jack DeJohnette boasted a musical resume that was as long as it was fearsome.

  • KurtElling_6.2.25_by_ElliotMandel-REV-6.jpg

    “Think of all the creative people I’m going to meet and a whole other way of thinking about music and a challenge of singing completely different material than I would have sung otherwise to my highest level in dedication to the moment,” Elling says about his Broadway run.

  • Pat_Metheny_Side-Eye_III_Jimmy_Katz.jpg

    Pat Metheny will perform with his Side-Eye III ensemble at ​Big Ears 2026 in Knoxville, Tennessee, next March.