Sep 3, 2026 10:44 AM
In Memoriam: Cassandra Wilson, 1955–2026
Cassandra Wilson, a singer, songwriter and producer who was one of the most acclaimed and successful jazz vocalists of…
Vocalist Lauren Henderson (clockwise from top-left), broadcaster and journalist Mark Ruffin, manager Gail Boyd, venue-owner Gerry Eastman and bassist John Clayton recount some of their experiences in the jazzworld.
(Photo: Courtesy Of Artists)Mark Ruffin: program director for Sirius XM’s Real Jazz channel, journalist
I’ve had a great career. My 40th anniversary [in jazz radio] is coming up, in fact. So, I can’t complain, because I’ve done 40 years in jazz. Do I think I would be further without racism? You’re damn skippy.
I can give you examples. The most clear example is the fact—when smooth jazz happened, I was in at the beginning of that. I worked at a smooth-jazz station from 1988 to 1996, and I spent half of my time trying to get out of there. When smooth jazz happened, suddenly corporations were interested. Corporations came in and started hiring white guys from progressive-rock stations who didn’t know anything about jazz. And those guys—most of them, 95, 96, 97 percent of them—were afraid of any Black man who had any knowledge about jazz. And that’s why in smooth jazz, white women and white men and Black women proliferated. There were only two guys in smooth jazz at the beginning for many years, and that had to do with insecurities.
At the station I worked at, WNUA in Chicago, I was passed over [for music director] by a couple people who had a tenth of the knowledge of the music and radio procedure that I did. But I had to buck up, I had to keep going. I realized I was at a very prestigious place and my situation was different than a lot of folks in that I had two careers going in jazz simultaneously—as a writer, journalist and editor.
I was part of a Village Voice article on why there weren’t any Black music editors at daily papers. What’s funny, coming up, I realized these [white jazz] writers and editors, some of whom I admire, they had to learn what they were talking about. ... I studied it while I was living it, whereas most of them study it afterwards. Now, it don’t matter, there are no jazz journalists at newspapers, Black, white, pink or yellow. But I used to have problems with that. Reading reviews where I was at the show, and I’m like, “What is this guy talking about?” DB
Wilson’s ability to connect to audiences helped her to win two Grammy awards and multiple other accolades. She was named an NEA Jazz Master in 2022.
Sep 3, 2026 10:44 AM
Cassandra Wilson, a singer, songwriter and producer who was one of the most acclaimed and successful jazz vocalists of…
“The love from the jazz and music community restored my faith in humanity,” Walia wrote in an online post upon his release from detention at an ICE facility.
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Indian jazz guitarist and composer Pritesh Walia has been released after being unexpectedly detained by ICE and taken…
Percussionist Poncho Sanchez was among the artists scheduled to perform at the now-canceled inaugural LA Jazz Festival.
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The inaugural LA Jazz Festival, originally scheduled to run Aug. 7–23 with dozens of events across Los Angeles’…
Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.
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Gene Bertoncini, an esteemed jazz guitarist, composer, arranger and educator, died Aug. 29 at the Lillian Booth Actors…
Jessica Molaskey and John Pizzarelli with Tony Bennett at their wedding reception in 1998.
Aug 4, 2026 12:32 PM
Well, what can be said about Tony Bennett that you don’t already know? As I type this, I’m listening to Tony…
