Jun 3, 2025 11:25 AM
In Memoriam: Al Foster, 1943–2025
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
“It’s always been there,” multi-instrumentalist and vocalist Jen Shyu said about a wave of vitriol aimed at Asian Americans during the coronavirus pandemic. “These events, they’re just an excuse for people.”
(Photo: Steven Schreiber/pirecordings.com)Jen Shyu is singing over the phone.
It’s a song based on a middle-school diary entry that describes her heart breaking as Shyu realizes how she was seen as different from her classmates: “Dear Diary II, 10:46 p.m., Friday. An 8th grader called me a ‘chink.’ ... I felt degraded and confused ... . Why is there racism?”
As one of only two students of Asian descent in her age group at school, the multi-instrumentalist and vocalist was mercilessly teased for most of her young life. “Basically, by 6th grade,” she recalled, speaking by phone from Queens, under mandated COVID-19 isolation along with a sizable portion of the country, “no one would talk to me. ... [W]hen I won the spelling bee, everyone booed.”
For Shyu, a second-generation American from Peoria, Illinois—whose family has roots in Taiwan and East Timor—she hears echoes of the taunts she endured as a child in the recent strain of anti-Asian harassment that’s flared up alongside the coronavirus outbreak. Reports of Asian Americans being accused of bringing the virus here or being told to go back to where they came from aren’t hard to come by. People using terms like “Chinese virus” or “Kung-flu” hasn’t helped matters, either.
None of the artists interviewed for this story have experienced overt bigotry related to the pandemic, but each expressed a genuine fear of leaving their homes, due as much to the reported uptick in anti-Asian sentiment as their civic duty to flatten the curve.
“It’s always been there,” Shyu said about the recent wave of vitriol. “These events, they’re just an excuse for people. And then you have the president.”
While President Donald Trump stopped using terms like “Wuhan flu” and condemned the surge in hate-speech and assaults against Asian Americans, it seems as if the message already has been sent.
“President Trump is continually trying to build his white-nationalist base of support by fanning up this hysteria,” said pianist and composer Jon Jang, one of the cofounders of Asian Improv aRts. AIR originated in San Francisco during 1987, and today remains committed to exploring Asian identity within American music, launching the careers of Shyu and other notable improvisers and composers, including pianist Vijay Iyer and koto player Miya Masaoka.
Jang’s combative rhetoric comes from a man who grew up during the civil rights era and was inspired by the writings of Malcom X and Amiri Baraka. He discovered and took to heart We Insist! Max Roach’s Freedom Now Suite, Charles Mingus’ “Haitian Fight Song” and other works that became the soundtrack for the movement.
“I was politicized by the music,” said Jang, who began composing to call attention to issues such as reparations for the internment of Japanese Americans during World War II, and the murder of Vincent Chin, a Chinese American who was targeted by disgruntled auto workers blaming Japan for economic hardship in the 1980s. Jang sees the current antipathy toward Asian Americans as part of a long history of anti-Asian hysteria in the U.S. that dates back to the mid-1800s.
Foster was truly a drummer to the stars, including Miles Davis, Sonny Rollins and Joe Henderson.
Jun 3, 2025 11:25 AM
Al Foster, a drummer regarded for his fluency across the bebop, post-bop and funk/fusion lineages of jazz, died May 28…
Roscoe Mitchell will receive a Lifetime Achievement award at this year’s Vision Festival.
May 27, 2025 6:21 PM
Arts for Art has announced the full lineup for the 2025 Vision Festival, which will run June 2–7 at Roulette…
Benny Benack III and his quartet took the Midwest Jazz Collective’s route for a test run this spring.
Jun 3, 2025 10:31 AM
The time and labor required to tour is, for many musicians, daunting at best and prohibitive at worst. It’s hardly…
To record Dream Manifest (Dom Recs), Croker convened artists from his current and recent past ensembles, plus special guests.
Jun 10, 2025 4:13 PM
Partway through his early set at Smoke Jazz Club, Theo Croker blinks the room back into focus. He leans over the piano.…
“There’s nothing quite like it,” Springs says of working with an orchestra. “It’s 60 people working in harmony in the moment. Singing with them is kind of empowering but also humbling at the same time.”
Jun 17, 2025 11:12 AM
When it came time to pose for the cover of her new album, Lady In Satin — a tribute to Billie Holiday’s 1958…
