Mar 4, 2025 1:29 PM
Changing of the Guard at Lincoln Center Jazz Orchestra
On October 23, Ted Nash – having toured the world playing alto, soprano and tenor saxophone, clarinet and bass…
Reedist Tim Berne said he’s rethinking the way he books tours and runs a band in the wake of the coronavirus pandemic upending air travel.
(Photo: Courtesy of Artist)The travel industry’s indelible connection to the jazz ecosystem, like so many other economic niches, has been thrown into stark relief since the pandemic hit. It’s another piece of a fractured landscape that will need to be made whole before the jazzworld is fully able to function again.
“I have a manager and a booking agent, but just recently transitioned to a new manager. So, these last couple tours, I was like, ‘Let me do the travel thing,’ because every time I had a travel agent with my older manager, it was a disaster. Nobody else understands like I do what airline I want to travel [on], and these kinds of things,” saxophonist Melissa Aldana said in May from her home in New York, while discussing the plane tickets she’d already booked before the economy was shut down. “So, I was on [the phone for] hours and hours with the airlines trying to figure it out. It worked, but I spent a lot of time—and didn’t get any money back, just credit.”
There might only be a fraction of the demand for flights at this point in the States compared to several months ago, but if touring is set to again reach pre-crisis levels, musicians are going to want a sense of safety while traveling and some certainty in terms of bookings, too.
“The financial situation, I don’t know how that’s going to work,” said Aldana, who released Visions (Motema) under her own name in 2019, and helped record the debut effort by the septet Artemis, due out later this year on Blue Note. “So far, the gigs I’ve rebooked, they’re going to pay the same. There’s just so much uncertainty, and I honestly don’t see myself playing until next year.”
She paused, then added: “I really hope I’m wrong.”
While some players are looking just to make it through the next few months, others are looking to wrap up the spring with some sense of real closure. New York reedist Tim Berne is one of them.
“I have 16 tickets [booked], and only two of them are in my name,” Berne said, explaining the travel arrangements he’d made for ensemble dates prior to the pandemic. “Either you cancel and get a penalty and lose half the money, or you get this credit, and then tell everybody in the band they have a credit. And if they use it, could they give me the money, which is kind of a joke. Or you just sort of eat it. So, I’m leaning towards ‘eat it,’ because, you know, it’s really hard to tell somebody, ‘Oh, by the way, you’re on the hook.’”
Berne, who launched his 9donkeys label during the early days of the pandemic, said that while touring is on hold, he’s not in dire straits, acknowledging that the situation was more devastating to those in less challenging financial circumstances.
“I mean the things I don’t miss are hustling for gigs, answering emails, sending people stage plots, buying plane tickets—organizing travel. Pretty much everything, and I’m good at it,” he continued. “But, you know, I don’t work on music as much as I’d like. It’s the only way I can play in public as much as I do, you know, so it’s a necessary evil. Again, not complaining, just observing.”
The airline industry, which has seen about $25 billion in federal funding allocated to it through the CARES Act, is amid a reckoning that’s as dire as those for a number industries. Just what changes are coming to the sector, though, can’t yet be determined.
Fewer planes now are in service, and some are flying with fewer passengers, though both American and Delta airlines said they would increase domestic routes in July. The arrangement could result in ticket price fluctuations, making cross-country or international touring a dicey fiscal prospect.
“There will be an enormous fare war to kick this whole thing off,” Kevin Mitchell, chairman of the Business Travel Coalition, told Condé Nast Traveler recently. “And the airlines will compete on everything they can.”
A fare battle might draw in travelers, but fewer flights and less space on those planes also could spike prices.
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
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