Feb 3, 2025 10:49 PM
The Essence of Emily
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
A live Alice Coltrane recording from 1972 marks a turning point in her music.
(Photo: DownBeat Archives)Charles Lloyd, Forest Flower (1967)
This might not be the best album of Lloyd’s discography, but it was extraordinarily popular, and worked to insinuate jazz back into popular culture (to an extent). It also features a pretty remarkable band with Cecil McBee on bass, Jack DeJohnette on drums and Keith Jarrett on piano.
Gabor Szabo, The Sorcerer (1967)
The legacy of this Hungarian guitarist, for some reason, hasn’t endured over time. But this disc, recorded at the Jazz Workshop in Boston, finds the bandleader conjuring up an admixture of jazz, rock and strains of psychedelia in an effort to create his own brand of freedom music.
Duke Ellington, The Great Paris Concert (1973)
Duke’s band—with the saxophone titans Johnny Hodges (alto), Paul Gonsalves (tenor) and Harry Carney (baritone)—stretched out with bluesey originals by the leader, as the ensemble dispensed some of the best of what the States had to offer in 1963. The recording was released as a double LP in 1973, and its track listing was expanded in subsequent reissues.
Billie Holiday, The Essential Billie Holiday: Carnegie Hall Concert (1961)
Despite Norman Granz reciting snippets of Holiday’s biography between tunes, the vocalist fronts an extraordinarily loose collective on this 1956 set that counts drummer Chico Hamilton during a formative moment in his career, as well as guitarist Kenny Burrell. It’s probably not the pinnacle of Holiday’s powers, but she still plays with the beat and turns in a remarkable blues-filled performance.
Bill Evans Trio, Sunday At The Village Vanguard (1961)
Iconic for not just its music, but that stark image of Evans on the cover, the album featured a pair of tunes by bassist Scott LaFaro sandwiched around songs from Cole Porter and George Gershwin. A dark twist: It was recorded less than two weeks before LaFaro died in a car accident. DB
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
As Ted Nash, left, departs the alto saxophone chair for LCJO, Alexa Tarantino steps in as the band’s first female full-time member.
Mar 4, 2025 1:29 PM
If only because openings for JLCO’s 15 permanent positions appear about as frequently as sub-freezing days on the…
Larry Appelbaum with Wayne Shorter in 2012.
Feb 25, 2025 10:49 AM
Larry Appelbaum, a distinguished audio engineer, jazz journalist, historian and broadcaster, died Feb. 21, 2025, in…
“This is one of the great gifts that Coltrane gave us — he gave us a key to the cosmos in this recording,” says John McLaughlin.
Mar 18, 2025 3:00 PM
In his original liner notes to A Love Supreme, John Coltrane wrote: “Yes, it is true — ‘seek and ye shall…
Cynthia Erivo and Herbie Hancock perform “Fly Me To The Moon” during a Grammy Awards tribute to Quincy Jones on Feb. 2.
Feb 3, 2025 10:21 PM
The jazz and blues community may not have been center stage for the majority of the 67th annual Grammy Award…
