Jan 21, 2025 7:54 PM
Southern California Fires Hit the Jazz Community
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
Reedist Ingrid Laubrock said she relishes the freedom that comes with recording for independent labels like Relative Pitch and Germany’s Intakt, but remains skeptical of the music industry’s digital shift.
(Photo: Helmut Berns)He laughs, recalling one student who announced, in a rehearsal, that an Andrew Hill record Moran had discussed was not available to stream. “I clapped in that moment and said ‘Yeah, how free do we think we are when we’re told that everything is in one place, and then when it’s not, we believe it doesn’t exist?’ That’s dangerous. It’s a death sentence.”
New Amsterdam’s Brittelle adds: “We need people to understand that in order to keep going, we need more support than people just liking and streaming our music. We don’t want to have a divide in our thinking between someone who’s a fan, a donor, a friend. We want to try to merge all that together.”
Douglas, meanwhile, reports that, at Greenleaf, his experimental model is working—to a point.
“I’m not losing money,” he said. “It’s just a sustainable way to keep documenting and releasing good creative music by artists I believe in and doing my own work. ... Maybe If I were a better businessman, I wouldn’t be doing it.”
As a listener, Laubrock’s recently accepted streaming into her life. But she notes that, on tour, Apple Music has proven indisputably more convenient than lugging around all the tunes that she might want to hear. Streaming isn’t the end of her relationship with works she enjoys: “If I like the music, I still buy the CD.”
And Moran’s just happy that people are finding their way to his work. “People will say, ‘Oh, what’s Jason been up to the last three years?’ Then they stumble onto the site: ‘He made six records and I didn’t even know?’ Then some just buy all of them. They’re like, ‘Oh, shit, I had no idea.’” DB
Gerald and John Clayton at the family home in Altadena during a photo shoot for the June 2022 cover of DownBeat. The house was lost during the Los Angeles fires.
Jan 21, 2025 7:54 PM
Roy McCurdy and his wife had just finished eating dinner and were relaxing over coffee in their Altadena home, when he…
“She said, ‘A lot of people are going to try and stop you,’” Sheryl Bailey recalls of the advice she received from jazz guitarist Emily Remler (1957–’90). “‘They’re going to say you slept with somebody, you’re a dyke, you’re this and that and the other. Don’t listen to them, and just keep playing.’”
Feb 3, 2025 10:49 PM
In the April 1982 issue of People magazine, under the heading “Lookout: A Guide To The Up and Coming,” jazz…
The Old Country: More From The Deer Head Inn arrives 30 years after ECM issued the Keith Jarret Trio live album At The Deer Head Inn.
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Last November, Keith Jarrett, who has not played publicly since suffering two strokes in 2018, greenlighted ECM to drop…
“With jazz I thought it must be OK to be Black, for the first time,” says singer Sofia Jernberg.
Jan 2, 2025 10:50 AM
On Musho (Intakt), her recent duo album with pianist Alexander Hawkins, singer Sofia Jernberg interprets traditional…
“The first recording I owned with Brazilian music on it was Wayne Shorter’s Native Dancer,” says Renee Rosnes. “And then I just started to go down the rabbit hole.”
Jan 16, 2025 2:02 PM
In her four-decade career, Renee Rosnes has been recognized as a singular voice, both as a jazz composer and a…
