Mar 30, 2026 10:30 PM
Flea Finds His Jazz Thing
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Reedist Ingrid Laubrock said she relishes the freedom that comes with recording for independent labels like Relative Pitch and Germany’s Intakt, but remains skeptical of the music industry’s digital shift.
(Photo: Helmut Berns)He laughs, recalling one student who announced, in a rehearsal, that an Andrew Hill record Moran had discussed was not available to stream. “I clapped in that moment and said ‘Yeah, how free do we think we are when we’re told that everything is in one place, and then when it’s not, we believe it doesn’t exist?’ That’s dangerous. It’s a death sentence.”
New Amsterdam’s Brittelle adds: “We need people to understand that in order to keep going, we need more support than people just liking and streaming our music. We don’t want to have a divide in our thinking between someone who’s a fan, a donor, a friend. We want to try to merge all that together.”
Douglas, meanwhile, reports that, at Greenleaf, his experimental model is working—to a point.
“I’m not losing money,” he said. “It’s just a sustainable way to keep documenting and releasing good creative music by artists I believe in and doing my own work. ... Maybe If I were a better businessman, I wouldn’t be doing it.”
As a listener, Laubrock’s recently accepted streaming into her life. But she notes that, on tour, Apple Music has proven indisputably more convenient than lugging around all the tunes that she might want to hear. Streaming isn’t the end of her relationship with works she enjoys: “If I like the music, I still buy the CD.”
And Moran’s just happy that people are finding their way to his work. “People will say, ‘Oh, what’s Jason been up to the last three years?’ Then they stumble onto the site: ‘He made six records and I didn’t even know?’ Then some just buy all of them. They’re like, ‘Oh, shit, I had no idea.’” DB
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
Cécile McLorin Salvant busts out Jelly Roll Morton’s “The Murder Ballad” at Big Ears, here with pianist Sullivan Fortner.
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Each of the 25 JAMs has delivered a poster featuring a jazz legend that is sent out to schools across the nation. This year’s poster features Tony Bennett.
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Dave King (left) and Reid Anderson offer insights into why The Bad Plus’ chemistry was cool, the accomplishments many and its longevity so fruitful.
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The scene still sticks with me. I had heard the oddball name of this new group being dropped around town, and…
