Mar 2, 2026 9:58 PM
In Memoriam: John Hammond Jr., 1942–2026
John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
Reedist Ingrid Laubrock said she relishes the freedom that comes with recording for independent labels like Relative Pitch and Germany’s Intakt, but remains skeptical of the music industry’s digital shift.
(Photo: Helmut Berns)He laughs, recalling one student who announced, in a rehearsal, that an Andrew Hill record Moran had discussed was not available to stream. “I clapped in that moment and said ‘Yeah, how free do we think we are when we’re told that everything is in one place, and then when it’s not, we believe it doesn’t exist?’ That’s dangerous. It’s a death sentence.”
New Amsterdam’s Brittelle adds: “We need people to understand that in order to keep going, we need more support than people just liking and streaming our music. We don’t want to have a divide in our thinking between someone who’s a fan, a donor, a friend. We want to try to merge all that together.”
Douglas, meanwhile, reports that, at Greenleaf, his experimental model is working—to a point.
“I’m not losing money,” he said. “It’s just a sustainable way to keep documenting and releasing good creative music by artists I believe in and doing my own work. ... Maybe If I were a better businessman, I wouldn’t be doing it.”
As a listener, Laubrock’s recently accepted streaming into her life. But she notes that, on tour, Apple Music has proven indisputably more convenient than lugging around all the tunes that she might want to hear. Streaming isn’t the end of her relationship with works she enjoys: “If I like the music, I still buy the CD.”
And Moran’s just happy that people are finding their way to his work. “People will say, ‘Oh, what’s Jason been up to the last three years?’ Then they stumble onto the site: ‘He made six records and I didn’t even know?’ Then some just buy all of them. They’re like, ‘Oh, shit, I had no idea.’” DB
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
Mar 2, 2026 9:58 PM
John P. Hammond (aka John Hammond Jr.), a blues guitarist and singer who was one of the first white American…
Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall
Feb 17, 2026 11:05 AM
They were Berklee misfits. Neither jazzy enough for the straightahead crowd at Boston’s highly prestigious College of…
“Cerebral and academic thought is a different way to approach music,” Flea says of his continuing dive into jazz. “I’ve always relied on emotion and intuition and physicality.”
Mar 30, 2026 10:30 PM
In the relatively small pantheon of certifiable rock stars venturing into the intersection of pop music and jazz, the…
New Orleans Trad Jazz Camp
Feb 19, 2026 10:39 AM
Jazz camps have exploded around the globe as a summertime tradition for working on your chops and making new friends.…
Lovers of the big band experience, clockwise from top left, John Clayton, Leigh Pilzer, Ted Nash, David Pietro and Christine Jensen.
Feb 10, 2026 11:00 AM
The popularity of big band music might have peaked in the 1930s and ’40s, but despite the many changes on the jazz…
