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    ​Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.

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    Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.

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    ​“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”

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    Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.

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    Lettuce, from left: Eric Coomes, Adam Deitch, Ryan Zoidis, Eric Bloom, Adam Smirnoff and Nigel Hall