Sep 3, 2026 10:44 AM
In Memoriam: Cassandra Wilson, 1955–2026
Cassandra Wilson, a singer, songwriter and producer who was one of the most acclaimed and successful jazz vocalists of…
The Mid Atlantic Arts Foundation announced last week that it has received a three-year grant of $1 million from the Doris Duke Charitable Foundation. The funding will support the launch of jazz.NEXT, a research and development program that will support projects incorporating technology in substantive and innovative approaches to audience development, communications, distribution, marketing and the building of support networks in jazz.
The goal of jazz.NEXT will be to encourage creative thinking that will result in the development of new operating models to be incorporated into the ongoing practice of jazz artists, organizations, and presenters. Program participants will share experiences, ideas, and lessons learned through regularly scheduled meetings and ongoing communications facilitated by a dedicated online site. Findings from the program will be made available to a broad audience of jazz artists and supporters.
“Jazz is in a time of particular distress as its traditional support systems decline and the music marketplace is being transformed by new technologies,” said Alan Cooper, Executive Director of Mid Atlantic Arts Foundation. “With a long history of supporting jazz, we are pleased to be partnering with the Doris Duke Charitable Foundation to help the jazz community address core issues that can shape and strengthen future operating practice and build a more sustainable environment for the art form.”
More info: midatlanticarts.org
Wilson’s ability to connect to audiences helped her to win two Grammy awards and multiple other accolades. She was named an NEA Jazz Master in 2022.
Sep 3, 2026 10:44 AM
Cassandra Wilson, a singer, songwriter and producer who was one of the most acclaimed and successful jazz vocalists of…
Bertoncini was a specialist and advocate for the nylon-string acoustic guitar, turning down high-profile opportunities that were unsuited to the sound and techniques that he used with that instrument.
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