“I was afraid of not being able to catch up so I began practicing eight hours a day for years,” says Emma Rawicz of starting on the saxophone as a teenager. “It was unhinged, but it fulfilled a purpose.”

“I think that’s where we’re at now. Just us traveling to Iceland and being in this environment, it’s already changed whatever you think of, what you thought that song was going to be,” says Soulive’s Alan Evans.

Lovers of the big band experience, clockwise from top left, John Clayton, Leigh Pilzer, Ted Nash, David Pietro and Christine Jensen.

Sullivan Fortner continues a winning streak with his third Grammy for Jazz Album of the Year after earning the Gilmore Larry J. Bell Artist Award last October.

Currently entering its 31st year, Vail Jazz Workshop is an intensive residency program for highly dedicated and advanced high school-aged jazz musicians.

​“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”

​Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.

Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.

Was honors his hometown with The Pan-Detroit Ensemble, releasing his first-ever album under his own name.

“I wanted to write songs that were abstract enough in their title and imagery that they could invite someone in to invent alongside the music,” says pianist and composer Lex Korten.