Sean J. O’Connell

Sean J. O’Connell's news entries:

  • {parents:file_name}

    Pianist Noah Haidu’s latest album, Doctone, features compositions by the late Kenny Kirkland.

    Noah Haidu Salutes Kenny Kirkland

    Pianist Kenny Kirkland (1955–’98) left us far too soon, succumbing to congestive heart failure. The versatile…

  • {parents:file_name}

    Junius Paul is among the 25 artists DownBeat thinks will help shape jazz in the decades to come.

  • {parents:file_name}

    Tina Raymond, recipient of a DownBeat Jazz Education Achievement Award

    Tina Raymond Leads By Example

    Drummer and educator Tina Raymond has become a reliable fixture on the Los Angeles jazz scene. Her discography…

  • {parents:file_name}

    Bob Sheppard says he’s “probably done everything there is to do in the music business.”

  • {parents:file_name}

    The Tierney Sutton Band includes Kevin Axt (left), Christian Jacob, Sutton, Trey Henry and Ray Brinker.

  • {parents:file_name}

    “I’m looking for musicians who will kick my ass and make me grow,” Melissa Aldana recently said with a laugh.

  • {parents:file_name}

    A photo of late North Carolina musician Algia Mae Hinton is part of the book Blue Muse, which collects images of musicians who have benefited from the Music Maker Relief Foundation.

  • {parents:file_name}

    Mahershala Ali (left) portrays pianist Don Shirley in the film Green Book.

  • {parents:file_name}

    Emmylou Harris performs during Joni 75: A Birthday Celebration at The Dorothy Chandler Pavilion in Los Angeles, California, on Nov. 7.

  • {parents:file_name}

    Will Kennedy (left), Russell Ferrante, Luciana Souza, Bob Mintzer and Dane Alderson collaborated on the album Raising Our Voice.

  • {parents:file_name}

    Roscoe Mitchell performs at Vibrato Grill & Jazz in Los Angeles last week. The composer and saxophonist was there to receive the Founders Award during ASCAP’s Jazz Awards ceremony.

    Roscoe Mitchell Honored by ASCAP

    Last week amid the million-dollar homes along Los Angeles’ Mulholland Drive, Vibrato Grill & Jazz hosted ASCAP’s Jazz…

  • {parents:file_name}

    Dizzy Gillespie (left) and Ella Fitzgerald were subjects of a star-studded tribute at the Hollywood Bowl on July 19.

  • {parents:file_name}

    Terence Blanchard, Herbie Hancock, Wayne Shorter performed together at Disney Hall in Los Angeles on Feb. 19.

  • {parents:file_name}

    Miles Mosley performed at the El Rey Theatre in Los Angeles on Jan. 28.

  • {parents:file_name}

    Flying Lotus, founder of the Brainfeeder label, performs at the Hollywood Bowl in Los Angeles on Sept. 17.

  • {parents:file_name}

    Billy Higgins (pictured here) was co-founder of the original World Stage, a showcase for jazz musicians in L.A. A reincarnation of the venue recently opened in the city.

  • {parents:file_name}

    Awards ceremony.

    This year’s participants included 32 teenage musicians (two rhythm sections, eight vocalists and 18 instrumentalists). Their experience culminated with multiple sessions at the famed Capitol Records Studio A, which has hosted everyone from Ella Fitzgerald to Frank Sinatra to the Beach Boys. The resulting sessions will eventually be whittled down to a dozen tracks and released as an iTunes album later this year.

    David Sears, who serves as executive education director, has been involved in the program for 21 years. During that time, many future stars have participated in the program, including pianist Christian Sands (a member of bassist Christian McBride’s band), Jon Batiste (bandleader for The Late Show with Stephen Colbert) and Marcus Gilmore (who topped the category Rising Star–Drums in the 2012 DownBeat Critics Poll).

    Over the years, Sears has helped recruit numerous experts to teach the students about music business as well as helping them craft an artistically fulfilling and marketable recording. This real-life experience is invaluable for many students, including ones who pursue collegiate music programs.

    Al Schmitt is one of the veteran sages brought in by Sears to give the students some guidance. A producer, recording engineer and mixer, Schmitt has taken home Grammy gold for his work with a diverse array of artists, including Paul McCartney, Diana Krall, Steely Dan and Ray Charles.

    At 85 years young, Schmitt remains tireless, as evidenced by the way he enthusiastically bound up the steps and interacted with the young musicians during a Feb. 12 session.

    “I can tell you that jazz is not dead,” Schmitt said with a smile during a brief interview. “Every year, these kids just blow me away. 15, 16 years old. Close your eyes and you’ll swear you are listening to a band from the Basie era.”

    Schmitt has provided his time-tested ears for the mixing portion of the session for several years. He feels fortunate to have had great mentors, such as Tom Dowd, and he feels a responsibility to share his knowledge. “What the Grammys are doing is a big thing,” he said. “We have to continue funding these things. They’ve stopped putting money into school. When I was a kid we had music appreciation, but kids don’t get that anymore. All parents have a responsibility that if a child is interested they should be given the opportunity to learn an instrument.”

    Capitol Records mainstay Charlie Paakkari (also a Grammy winner) served as engineer for the session, manning an enormous mixing console. Meanwhile, Justin DiCioccio—associate dean and chair of the Manhattan School of Music’s Jazz Arts Program—bounced around the studio as band director, sassing the students and drawing strong performances with his graceful conducting.

    As if playing music in a world-famous recording studio weren’t surreal enough an experience for these kids, Bob Dylan stopped by—unexpectedly. Midway through a churning take of Herbie Hancock’s “The Eye Of The Hurricane,” Dylan walked into the control booth, dressed in white cowboy boots and sunglasses. He was working on a new album across the hall with Schmitt. The two had collaborated on Dylan’s 2015 album Shadows In The Night (which was recorded at Capitol Studios) and are now working on a similar project.

    Dylan stood attentively watching the youngsters perform as Schmitt egged him on, suggesting they record the next album with the students. Dylan talked briefly with Sears and when the band finished, he gave an approving nod before getting back to work across the hall.

    Several students encountered Dylan as they went into the booth to hear the playback. Some were dumbfounded by the sight of the rock legend, while others didn’t know who he was. Some kids got more excited when DJ/producer Martin Solveig dropped in on the session and joined the group for an impromptu brassy jam on the hook from his tune “The Night Out.”

    In addition to having an unforgettable musical experience, Schmitt feels that some of the kids learned an important life lesson: “The thing I want them to come away with is that they should follow their heart. It’s a great voyage and you never know what’s going to happen.”

    (Note: To read a review of Bob Dylan’s 2015 album Shadows In The Night, which Schmitt worked on as an engineer/mixer, click here. To read a review of Paul McCartney’s 2012 album Kisses On The Bottom, which earned Schmitt a Grammy, click here.)

    —Sean J. O’Connell

    Justin DiCioccio (foreground) conducts a group of students during a recording session at Grammy Camp.

Sean J. O’Connell's reviews:

Sean J. O’Connell's archives entries:

  • {parents:file_name}

    In 2013, ECM reissued Charles Lloyd’s first five albums for the imprint—Fish Out Of Water, Notes From Big Sur, The Call, All My Relations and Canto—as a box set.

    Charles Lloyd: Tender Warrior

    A good rain in Southern California can reveal so much. When the clouds let loose and a solid breeze filters the air,…

On Sale Now
May 2024
Stefon Harris
Look Inside
Print | Digital | iPad