Drummer Chad Taylor’s quintet for his new recording, Smoke Shifter, from left: Bryan Rogers, Matt Engle, Taylor, Jonathan Finlayson and Victor Vieira-Branco

While much free-jazz remains well off the beaten path, its adherents are more passionate and obsessive than ever.

“I was afraid of not being able to catch up so I began practicing eight hours a day for years,” says Emma Rawicz of starting on the saxophone as a teenager. “It was unhinged, but it fulfilled a purpose.”

“I think that’s where we’re at now. Just us traveling to Iceland and being in this environment, it’s already changed whatever you think of, what you thought that song was going to be,” says Soulive’s Alan Evans.

Lovers of the big band experience, clockwise from top left, John Clayton, Leigh Pilzer, Ted Nash, David Pietro and Christine Jensen.

​“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”

Was honors his hometown with The Pan-Detroit Ensemble, releasing his first-ever album under his own name.

“I wanted to write songs that were abstract enough in their title and imagery that they could invite someone in to invent alongside the music,” says pianist and composer Lex Korten.

​“Joe Henderson, to me, is what it means to have a huge sound even though we know that his volume was very soft,” Aldana said during her live Blindfold Test.

Wolfgang Muthspiel, left, with trio mates Scott Colley and Brian Blade.