Apr 2, 2024 12:59 PM
Saxophonist, Sonic Explorer Casey Benjamin Dies at 45
Casey Benjamin, the alto saxophonist, vocalist, keyboardist and producer who stamped his distinctive sounds on the…
Carla Bley (left), Steve Swallow and Andy Sheppard recorded Life Goes On for the ECM label.
(Photo: Caterina di Perri/ECM)Kurt Rosenwinkel Bandit 65, Searching The Continuum (Heartcore)
Because jazz remains a mostly acoustic music, the striking thing about guitarist Kurt Rosenwinkel’s Bandit 65 is how overwhelmingly electronic it sounds. Rosenwinkel, fellow guitarist Tim Motzer and drummer Gintas Janusonis all are credited with “electronics.” The range of tones and textures are so deep and beguiling that it’s easy to get lost in the sheer lushness of the sound. Doing so, however, would be a bit like missing the forest for the trees, because the real genius of Searching The Continuum is that each of these tracks was spontaneously conceived of and recorded live.
Emilio Solla Tango Jazz Orchestra, Puertos: Music From International Waters (Avantango)
The high concept that drives Puertos: Music From International Waters has no right to work. Dedicating each song to a different port seems like a hokey idea lifted out of the era of stereo demonstration LPs. But what moves Puertos beyond a simple pastiche is that Emilio Solla has invested heavily in each of the pieces here. It’s the difference between seeing each city from the deck of a ship and exploring the back alleys of each place. The thread running through the various ports is how imperialist conquests, the slave trade and immigration mixed with native traditions to create distinctive yet linked music from Cadiz to Buenos Aires and New York.
Jonathan Barber & Vision Ahead, Legacy Holder (Vision Ahead Music)
Marc Copland, And I Love Her ([Illusions] Mirage)
Chick Corea, Plays (Stretch)
Frisell/Lage/Riley, John Zorn: Virtue (Tzadik)
Jimmy Heath, Love Letter (Verve)
Sigurd Hole, Lys/Mørke (Elvesang)
Laubrock/Davis, Blood Moon (Intakt)
Wynton Marsalis, The Ever Fonky Lowdown (Blue Engine)
Ron Miles, Rainbow Sign (Blue Note)
Hedvig Mollestad, Ekhidna (Rune Grammofon)
Nous, Nous II (Our Silent Canvas)
Aaron Parks, Little Big II: Dreams Of A Mechanical Man (Ropeadope)
Redman/Mehldau/McBride/Blade, Round Again (Nonesuch)
Eric Revis, Slipknots Through A Looking Glass (Pyroclastic)
Michele Rosewoman’s New Yor-Uba, Hallowed (Advance Dance Disques)
Felipe Salles Interconnections Ensemble, The New Immigrant Experience (Tapestry)
Sara Serpa, Recognition (Biophilia)
Walter Smith III & Matthew Stevens, In Common 2 (Whirlwind)
Kevin Sun, The Sustain Of Memory (Endectomorph)
Benjamin possessed a fluid, round sound on the alto saxophone, and he was often most recognizable by the layers of electronic effects that he put onto the instrument.
Apr 2, 2024 12:59 PM
Casey Benjamin, the alto saxophonist, vocalist, keyboardist and producer who stamped his distinctive sounds on the…
“He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.
Feb 27, 2024 1:40 PM
“I might not have felt this way 30 to 40 years ago, but I’ve reached a point where I can hear value in what people…
Albert “Tootie” Heath (1935–2024) followed in the tradition of drummer Kenny Clarke, his idol.
Apr 5, 2024 10:28 AM
Albert “Tootie” Heath, a drummer of impeccable taste and time who was the youngest of three jazz-legend brothers…
“Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”
Mar 12, 2024 11:42 AM
“There are a few musicians you hear where, as somebody once said, the molecules in the room change. Geri was one of…
Henry Threadgill performs with Zooid at Big Ears in Knoxville, Tennessee.
Apr 9, 2024 11:30 AM
Big Ears, the annual four-day music celebration that first took place in 2009 in Knoxville, Tennessee, could well be…
