“Both of us are quite grounded in the craft, the tradition and the harmonic sense,” Rosenwinkel said of his experience playing with Allen. “Yet I felt we shared something mystical as well.”

“He’s constructing intelligent musical sentences that connect seamlessly, which is the most important part of linear playing,” Charles McPherson said of alto saxophonist Sonny Red.

Larry Goldings’ versatility keeps him in high demand as a leader, collaborator and sideman.

“I listened to players like Ben Webster and Wayne Shorter, two opposites, who spoke to me profoundly about saying a whole lot with less,” Osby says.

“My dad is always going to be a part of me and my music, especially since I still have so many manuscripts of his to explore,” says Johnathan Blake, who notes that he too has much more to explore.

“I like to just click on songs that touched me and see if I could do them in a personal way — especially if it’s a well-known song,” Alpert said about selecting material for his new album.

“One of the first things I checked out heavily when I got serious about playing music was Weather Report’s Heavy Weather,” Payton says of his early influences.

Samara Joy performing at the 2023 Monterey Jazz Festival.

Davis says, “I wouldn’t call myself a jazz musician; my music is more about crossing boundaries.” Her band Alula, from left: Chris Tordini, Davis, Tyshawn Sorey and Val Jeanty.

“The first Blues Deluxe album took seven days to finish, this one took five,” Joe Bonamassa says of Time Clocks, a tribute to, and continuation of, his first hit album 20 years ago.