Always a sharp dresser, Farnsworth wears a pocket square given to him by trumpeter Art Farmer. “You need to look good if you want to hang around me,” Farmer told him.

“Who I am today is because of my experiences with the AACM,” Amina Claudine Myers said of the artist-led Association for the Advancement of Creative Musicians.

Gadabout Season developed over many months of recording sessions in Brandee Younger’s East Harlem living room.

“Think of all the creative people I’m going to meet and a whole other way of thinking about music and a challenge of singing completely different material than I would have sung otherwise to my highest level in dedication to the moment,” Elling says about his Broadway run.

“What I got from Percy was the dignity of playing the bass,” Buster Williams said of Percy Heath.

“I’m not getting any younger, and in my later years I want to make sure my own visions can be realized,” says pianist George Colligan.

Butcher Brown, clockwise from top left: Marcus Tenney, DJ Harrison, Morgan Burrs, Corey Fonville and Andrew Randazzo. (Keyboardist Harrison couldn’t make the gig, so special guest Jacob Mann sat in with the band at the Reno Jazz Festival.)

​“I love the place that fate or whatever has positioned me in Gil Evans’ life and legacy,” said Ryan Truesdell.

Christie Dashiell, left, and Terri Lyne Carrington demonstrate the resilience of Max Roach’s classic ’60s protest recording.

“I feel that the discipline that we call music is an all-dynamic proposition that includes discovery, momentum and transposition,” Braxton said.