Feb 3, 2026 12:10 AM
In Memoriam: Ken Peplowski, 1959–2026
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Carla Bley (left), Steve Swallow and Andy Sheppard recorded Life Goes On for the ECM label.
(Photo: Caterina di Perri/ECM)Keith Jarrett, Munich 2016 (ECM)
3D Jazz Trio, I Love To See You Smile (Diva Jazz)
11 Guys Quartet, Small Blues And Grooves (VizzTone)
Rez Abbasi, Djanto-shift (Whirlwind)
Idris Ackamoor & The Pyramids, Shaman! (Strut)
Ryoko Akama, Dial (Another Timbre)
JD Allen, Toys/Die Dreaming (Savant)
Antibalas, Fu Chronicles (Daptone)
Lynne Arriale Trio, Chimes Of Freedom (Challenge)
Gregg August, Dialogues On Race, Volume One (Iacuessa)
Omer Avital Qantar, New York Paradox (jazz&people/Zamzama)
John Bailey, Can You Imagine? (Freedom Road)
Marc Benham, Biotope (SteepleChase)
Frank Bey, All My Dues Are Paid (Nola Blue)
Tim Berne’s Snakeoil, The Fantastic Mrs. 10 (Intakt)
Peter Bernstein, What Comes Next (Smoke Sessions)
Laila Biali, Out Of Dust (Chronograph/ACT)
Jim Black Trio, Reckon (Intakt)
Black Art Jazz Collective, Ascension (HighNote)
Blaer, Yellow (Ronin Rhythm)
Bohren & Der Club Of Gore, Patchouli Blue (Ipecac)
Moses Boyd, Dark Matter (Exodus)
Geof Bradfield/Ben Goldberg/Dana Hall, General Semantics (Delmark)
Peter Brötzmann, I Surrender Dear (Trost)
The Darius Brubeck Quartet, Live In Poland (Ubuntu)
Brody Buster’s One Man Band, Damn! I Spilled The Blues (Booga)
Gary Brunton/Simon Goubert/Bojan Z, Night Bus (Juste Une Trace)
Ernesto Cervini, Tetrahedron (Anzic)
Peplowski first came to prominence in legacy swing bands, including the final iteration of the Benny Goodman Orchestra, before beginning a solo career in the late 1980s.
Feb 3, 2026 12:10 AM
Ken Peplowski, a clarinetist and tenor saxophonist who straddled the worlds of traditional and modern jazz, died Feb. 2…
Hammond came to the blues through the folk boom of the late 1950s and early 1960s, which he experienced firsthand in New York’s Greenwich Village.
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Richie Beirach was particularly renowned for his approach to chromatic harmony, which he used to improvise reharmonizations of originals and standards.
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“I play what I want and what I like,” said Andrew Cyrille. “I use my knowledge artistically and professionally.”
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Marsalis will, if he chooses to use it, have a strong voice in perpetuating his vision through a role in choosing his successors.
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For the better part of a year, rumors have been swirling that Wynton Marsalis was going to step down as artistic and…